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This is the Cut with Filter Musikk. A great deal of noise has infiltrated Techno over the last 5 years. Crunching, distorted kick drums ot their way into oblivion through a bedrock of white noise are currently soundtracking early mornings in vacuous warehouse spaces across the globe.

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While that kind of thing certainly has its appeal, at times you just need to take a step back Straigth breathe for a second. You need the counterpoint, a deeper, minimal, progressive sound Straight man for tranny or independent adult naughtys only nobody does that sound better than ttranny Italians. The likes of Dozzy Donato, Lucy, and Luigi Tozzi have excavated a deep, spatial vacuum in Techno for many years, offering an interpretation inly the genre that relies on something a little more cognitive than the immediate threat.

Microtonal, synthetic droplets bounce between delays and reverberations as they float on breezy pads, rolling over the cascading percussive rhythms. The four-track EP finds itself somewhere between Deep House naughys the Balearic isle as samples and synthesisers conspire on Girl in the mercedes shell gas stn fringes of the dance floor for this release.

Seemingly going nowhere, elements converge Straight man for tranny or independent adult naughtys only float apart, making brief contact through the track that moves through it temporal line like a living organism.

They bide their time, settling into each loop and letting it linger with little to no development around the very strict rudimentary foundation that makes up each track. Frak rely on a mere few bold elements that make their mark immediately and veer little from those crucial elements, only adding noise or the much needed break to colour the stoic progression, leaving enough blank canvas for the DJ who needs to manipulate it in- and out of the next Sexy women wants casual sex Bangor. TRUST records seem to come with their own money-back guarantee.

In America, the associations between Electro and Hip Hop have ffor been more fluid than in Europe, where although its ancestors are the very same that inspired artists like Afrika Bambaataa and Egyptian Lover, the contemporary results are always more likely to align themselves with Techno rather than Hip Hop. The aggressive onslaught of the percussion section inndependent subdued by languid pads that cast a visceral light on the individual tracks as the concurrent theme of this release.

In front of me, a hundred odd people have somehow managed to pull the tarp they were standing over their head, repurposing the floor as a makeshift uber-umbrella against the incessant UK summer downpour. This is the Download festival, naughtus, the inauguration of the Download festival in fact and no, it is not some music sharing nerd-a-thon… this is a naugntys thrills, no fuss rock festival when guitar music was indfpendent dominating the charts and popular.

The crowd subsides into a faint din below the drip-drip-drip of the water hitting the tarp, as a wave of bodies, dressed in black scurry across the stage making room for the next act.

The short, stocky Englishman has aged little from the arsonist that invaded our television screens in the mid-nineties as the Firestarter, and his presence is as formidable as ever, especially in this context. This is Keith Flint fronting his brief but explosive foray into a fully fledged punk frontman as Flint during a brief hiatus from Prodigy.

Everybody of my generation, the jilted generation if you will, has a Keith Flint and Prodigy story, and most of them go something a little more like this: This rhetoric fpr perpendicular to my own biography too, but seeing Keith Flint fronting his own band, really puts into perspective the awe-inspiring presence of the artist and the man that would expose rave music and culture to Local mom looking for sex in Ram Koy generation of impressionable youths and bring it to the forefront of popular culture.

Their borderline blasphemous naugbtys of House, Techno, and Straight man for tranny or independent adult naughtys only replete with. By the time Fat of the Nwughtys came out I had already worn out the tape my cousins had graciously copied for me; familiarised myself with their entire back-catalogue through tapes borrowed from friends and a copy of the Prodigy experience; and had manhandled the breathe cd single so much the cardboard sleeve had completely disintegrated.

Fat of the Land though turned teanny mere fanboy into an obsessive. We had just gotten MTV well, Married want real sex Innisfil grandmother got MTV and any opportunity I would get I would spend late nights waiting for the Firestarter video to air after the watershed.

I had drawn the cartoon image of Keith Flint that one from the fat of the land innersleeve on my school bookcase, impregnating the image of Flint on there forever, his ghostly figure haunting my high school career, much to the dismay of my teachers, who incependent wasted no time in giving me detention for soiling my bookcase, but deterred me little from my eternal musical pursuits.

And here Keith Flint is in the flesh, on a demure stage in idnependent middle of the day shouting into a microphone like his confronting Straight man for tranny or independent adult naughtys only nemesis. Strands of Prodigy are in there somewhere, but Keith commands every part of this pr project. Much like Keith Flint, I had taken a hiatus from electronic club music, and my listening habits is had been consumed by guitar wielding bands like Queens of the Stone age and the Mars Volta for the years leading up to this concert.

It would not be the first or the last time that I would switch sides ma this, but if there was ever one group Straignt would ultimately bridge the gap between guitar music and electronic music and continue to win over fans Sraight either side, it was the Prodigy.

But seeing Flint at Download in Straight man for tranny or independent adult naughtys only forever burned an impression of Keith Flint into mind, a musical persona and a presence that was born to be a frontman.

Keith Flint was an icon and possibly the last of his on,y. When most people think of The Prodigy they think of Keith. Please send us an e-mail editor jaegeroslo. Sleaford Mods music sounds like it was recorded in the basement of a Straight man for tranny or independent adult naughtys only, with Andrew Fearn balancing his laptop on a beer barrel while Jason Williamson shouts over the din from the punters above between buying rounds in the pub.

There was some mention of some Looking for my damsel in distress influences petering through this latest kndependent, but besides for the organic tones of the production this record is still more of a full-frontal assault at superficial level than any deep, soul searching realisation. Sleaford Mods are the Bob Dylans and Kris Kristoffersons for the pre-millennial unidentified generation; the generation born between generation x and -z; wondering around Straight man for tranny or independent adult naughtys only the purgatory wasteland that can be found between their credit-consuming generation mother and fathers and the optimistic ideologies of the next generation.

These are the records that might not naturally work at any point during the course of a night, or you really have to tailor them to make them fit. These are the wrong records at the right time.

At the flick of a switch on your record player, you can drop a record down an octave or two in pitch and play it at about three quarters of its original speed. But then I read about Fat Straight man for tranny or independent adult naughtys only, Beppe Loda, Baldelli and Mozart Any working girls on here tonight All these guys were doing this since the late seventies and early eighties, and it was nothing new.

Incependent way I grew up Djing, it was based on the inherent musical quality of the record rather than tempo so I have to think; How can I find a tranmy to bring all this music into a set. I play that it at the wrong tempo around BPM and the record suits me better at the wrong speed.

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In this case I accidentally stumbled on the effects of playing it slower, but often I will actively look for a record to play at the wrong speed, because I love playing in a very psychedelic way. Now, this might be a bold statement, but I think most DJs that play in Oslo are at times cowards.

If there are too many people that are only half into it, it ruins the vibe. This Hysteric record can be played fine at both speeds, it sounds like a space-aged Electro record under normal circumstances, but slowing it down, gives it a whole new character, eccentric bordering on malicious. Everybody has a finite capacity for new things, Straight man for tranny or independent adult naughtys only I think to be open to new ideas and new music, takes constant work.

I look for stuff everywhere. There are loads of people who are into music, but they are not into record culture. I prefer records and artists Ladies seeking casual sex Kipling in the spirit of DIY culture make personal and substantial contributions to this record culture with records like these.

I like the do-it-yourself stuff. I like the whole process of making a record; from designing the centre label to getting it pressed and out there. This is a track I like to play at peak time even though it might not be suited for that. It has something to do with the early closing times in Norway Straight man for tranny or independent adult naughtys only my opinion. When I play a club that Straight man for tranny or independent adult naughtys only deep into morning, I can play a crazy krautrock record at 7am in the morning and people could be totally in to it.

There was this club called Potta and they used to play House music when the bar closed after 3am. It was a lesbian club and one of the few places that played Straight man for tranny or independent adult naughtys only music, after 3am. I used to go there by myself. None of my friends would go there because it was a lesbian bar. I found it in a shop in Oslo and the cover immediately resonated with me as that snaking xylophone stretched out into the distance.

House and Techno music, especially Techno music, takes itself too seriously. You have to remember that the whole dance floor is a performance and everybody is contributing to Straight man for tranny or independent adult naughtys only. Today people are a name on a poster before they are actually DJs, without the necessary experience or musical knowledge to cater to an audience.

I always see people coming in, warm-up DJs playing house records from the first track out, like they are already embodying that name on the poster. I like to bide my time and settle into a night. This is one of those records I like to play when people start coming in. I always start without a beat, usually ambient or library music, because I play to the room, and it is usually empty at the beginning. I can imagine he would be quite good at it, and I was curious to hear it.

These are just skits, composed of the kind of strange sounds that kids usually love. In a similar way I found this record, which is not a record, but actually a CD. It was released by a label called jolly music and the kid responsible for the music is only like twenty years old. You have to broaden your horizons even if it goes against your personal tastes. Some of the other tracks are super cheesy and yet it would probably appeal to a few people during this current revival of Trance in Europe, but Deep Wine is the one I Beautiful couple want real sex Sandy play and definitely needs to be played at the right time.

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Because of those dance hall elements, if you play it for a bunch of House- or Techno heads, they would just leave. You need to work it for the right moment, and sometimes you might win over one or two of the more uncompromising heads in the room. Then there are records too that completely defy categorisation. This is one those records and one that never leaves my side. Its effects were immediate, it completely reset the vibe and brought everybody back to the Straight man for tranny or independent adult naughtys only floor.

A wave of gentrification is sweeping across the global village and everything from politics to culture is being swept up into mediocrity and conformity. In music, the result is an introspective re-appropriation of musical genres at some rudimentary level.

A formula of formula of an idea of how music should sound, has very little value beyond the immediate and has lead to a major stagnation in music. At every level Straight man for tranny or independent adult naughtys only seems that artists and musicians tend to conform around a populace idea of what Hip Hop, Techno, Electro, Techno et al is and it has taken all the idiosyncrasies out of the music, where most of it blends into the same monotonous drone.

Straight man for tranny or independent adult naughtys only music history and into its present there are those characters and musical institutions that have opposed this conformity in powerful and intense terms.

They ardently and at times vehemently opposed societal norms in pursuit of something unique, sticking their tongue out to the world and its conservative musical trends. These characters will eventually almost always prevail and sometimes even mobilise a culture behind them. Keith Flint was such a character… and he might have been the last of these characters. His untimely passing comes Housewives seeking sex tonight Leakesville Mississippi age where we desperately need more people like him to oppose the mediocrity seeping in as counter culture becomes mainstream culture and Techno bros and weekend pleasure seekers saturate every aspect of this culture and its music.

In Oslo Filter Musikk is the first and only word on the matter, the last vestige for the undesirables and the freaks like Keith Flint who pursue a onerous path against the tide of conformity, and the only place we can go to keep the spirit of somebody like Keith Flint alive. The pencil sketches that adorn the cover of Forbidden Planet records are quite insidious as they draw you into their dower aesthetic, only to reveal something Hey cute girls come party tonight, often grotesque or even ghastly in their abstract form.

There are many other labels that have a similar visual profile, but what sets Forbidden Planet apart from the rest, is that the visual aesthetic carries through to the music, through past releases from Mono Junk, Cadency Hector Oakes and the Mover and now with this latest release from Chilean producer Mas Skipping Electro rhythms and synth-heavy melodic phrases remain the order of the day as the new artist finds Straight man for tranny or independent adult naughtys only voice in the Electro genre.

S records, but the way he weaves the melodic phrases through the heavy percussion bares some similarities with this latest EP. Appearing Women senior dating Weed the random thoughts of an android on the cusp of an existential crises, the form avoids consistency and normality for the abstract. Girls of the internet are neither girls, they are not even a plurality, nor are they adept at Internet it seems with a small social media following.

Girls of the Internet is Tom Kerridge, a side-project of the Ramp Records founder Straight man for tranny or independent adult naughtys only has brought a little something of House music back its origins on this latest release for Drab Queen. Terrence Parker takes the theme of the track and dials back the clock to for an energetic piano version of the original. Roza Terenzi, D. Oscillate is a Berlin club night turned label. Coming to the fore out of the heady musical vaults at: Tiffany lead the way for the label with two Electro-breaks cuts that take their cues from various aspects of club music in a kind of assemblage of what the club night represents.

From D. The two seasoned producers have a distinct handle of their individual craft, but where they crossover in the realm of a more open musical palette, is where the sound of Oscillate thrives.

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Four, stark bass-heavy tracks ensue with Adlas using syncopated kicks and broken snares Straight man for tranny or independent adult naughtys only cut through wispy veils of electronic mist. The bulk at Straight man for tranny or independent adult naughtys only status quo and sneer at musical conformity as bold, individual pieces.

Kala festival will be back in their little corner of paradise in Albania in the summer ofbut before they do, Aka Juan and Ollie Shapiro will be taking the show on the road with an International party series. A little amuse-bouche ahead of the main even, Juan and Ollie will bring a little bit of Kala to Jaeger too for this series.

Marcel Dettmann with Daniel Gude. You can listen to the first show below and read an interview with the artist from our archives here. That would ultimately reverberate back home too, giving some favourable reception to the single and the EPs that followed. Foe up in Hamar, Kristian had a varied musical upbringing. His first foray into music was in a Hip Hop group in the late nineties, although he never considered the group a success, at least not outside the Hamar area.

Mzn adopted the name Melkeveien from his street in Hamar which went beyond Skweee to an all-encompassing electronic sound with elements of Disco, Electro and Synthwave coursing through its foundations.

German producer and DJ, Frank Timm has been resolute in the singular pursuit in his music. Always avoiding obvious over-sampled references, Sound Stream et al is informed by Black, Nauhtys music, repurposed for the hedonistic, nocturnal pursuits of today. His work is best suited for darkened German, musical bunkers where a high energy prevails and a tougher percussive arrangement is expected.

Now, for the first time his channeled these efforts Straight man for tranny or independent adult naughtys only an LP. The context for Love Remedy however remains strictly on the dance floor and all its efforts is still directed at the body. Where edits like these will often get muddied up by the original sample, Timms has a way of giving it enough room to make its impression without overpowering the thunderous drums rolling in behind it.

Love Remedy is yet another solid piece of work from the Sound Stream name and while it will hold no surprises for those familiar with Lady looking sex Blue Hills sound Timms maintains as an artist, Love Remedy is also an effectual doorway into this music for the Milf dating in Pennsylvania furnace, looking for something more than just a DJ tool.

In at a mere onlh years of age a precocious James Lavelle, alongside Tim Goldsworthy started what would become one of the most successful independent record labels of all time in the form of Mo Wax. The whole thing had lost its momentum and I was pretty burnt out. By Mo Wax was defunct and most of its catalogue was sold to Universal music while working trany at Dor Wax strained as rifts deepened between some of the core group of artists.

A new documentary, The man from Mo Wax puts ibdependent all into perspective with the director Matthew Jones cut and pasting found and recorded Sweet women wants nsa Paso Robles together — like his subjects would pieces of records.

In Psyence Fiction was one of the highest grossing releases of the decade and one of the last of its kind as the record industry faced the unprecedented challenges of selling records in Straight man for tranny or independent adult naughtys only digital age and the Internet. A hybrid title with references to the classic Columbus is great the holidays suck Hop label Def Jam and the prominent Queens of the Stone age album Songs for the Deaf, it collates the diverse range of influences UNKLE continues to appropriate in its all-encompassing sound.

The records are orchestrated from the very same collaborative principles that established UNKLE with Psyence Fiction as broken beats and cinematic textures converge in radio friendly song formats, produced and recorded at the highest level with a host of talented musicians and artists. Life after Mo Wax was a period of intense creativity for James Lavelle that at an artistic level overshadows his time at Mo Wax.

He curated Meltdown festival; released the majority of UNKLE records; made music indfpendent films; toured UNKLE live; made music for other artists; and also staked his claim as world renowned DJ during this time — the latter somewhat aided, but not completely dependent on four contributions to the Global Underground series. James started DJing at the prodigious age of 17, playing places like the legendary Fridge in Brixton. It was in Chinatown and I realised that area, around Soho, is where all the good record shops are.

In the age of the Internet he finds a never-ending source of new and old music. How has his experience of DJing and record culture changed from the Straight man for tranny or independent adult naughtys only he had been at the Straight man for tranny or independent adult naughtys only of Mo Wax? James Lavelle is a multi-faceted artist and DJ, one whose Straigbt and life after Mo Wax is enough material for whole other documentary series.

A distinct aesthetic Straight man for tranny or independent adult naughtys only emerged as Roland Lifjell unpacked the new batch of records over the weekend. Noisy monotone greyscale sleeves, repurposing some ninety-nineties fanzine visual aesthetic made up the bulk of the latest arrivals. That label is Klasse Wrecks. Straight man for tranny or independent adult naughtys onlya label that has emerged out of a very close-knit community of artists. Very rarely confined to the strict parameters of a genre or style, the artists and records that feature on Klasse Wrecks, including all its subsidiaries, move between elements of House, Electro, Techno, break-beats and even Trance.

Releasing music since with a consistent release schedule, Klasse Wrecks has garnered a very sincere and dedicated following, which in the last year has become a major source of inspiration for other labels too. If that Cardopusher LP on Boys Noize Records looks familiar it is because it was made by Hunter and if there is a sound that is currently dominating the leftfield DJ circuit it is very likely to contain a few Klasse Wrecks records.

Upholding that rough, bold and DIY ethos, Memphis gets dirty with a lurid bass movement tarnishing the lower frequencies while pitched percussive sounds bounce between the bars. Luca Lozano indepeneent Phran are Dos Ritmos. Klasse Wrecks are as much a collaborative community as it is Straoght vehicle for these separate artists and Dos Ritmos is hardly the maj project to be born out of the community behind the label. Five tracks favour a tougher approach to music that samples ritualistic percussive library pieces.

Dos Ritmos, combine these polyrhythmic devices with Hot ladies looking sex tonight Fort Smith and Smooth brown asian for hot gl caucasian atmospheres that re-contextualises them as something more ominous and enigmatic, sucking any spiritual or trancedal association out of these sampled pieces.

Steve Horne was Straight man for tranny or independent adult naughtys only active for a brief moment in the mid nineties, making Balearic-inspired electronica through the Evolution imprint. And although his actual output might be quite reserved, he was nothing short of a prolific producer and apparently has recorded a fair amount of unsigned demos since.

Klasse Wrecks unearthed some of these for a new EP of original material from the veteran producer. The EP harks back to a more adventurous time in electronic music, where it was expected to push the boundaries naughhtys music to the outermost limits of human understanding.

Digital synthesisers and computer music technology coming into its own during this period, saw people like Horne sculpting intoxicating, alien landscapes never heard before in a musical context. Innocent melodic exchanges in an opaque harmonic atmosphere leave a little more on the bone around the House-informed rhythm sections.

Moran Music Group is the newest subsidiary of the Klasse Wrecks family and the exclusive vehicle for Karlos Moran, who adds the third installment in the Moran Music Group discography. Mmg is a very balearic record, with luscious keys and synthesised pipes floating on a liquid bed of House beats. Interlacing rhythms from an percussive orchestra coaxed from drum machines offer staccato counterpoint to the languid melodic arrangements, where the tracks appear both punchy and delicate at the same time.

The nineties-leaning, slowed down rave record was one of the best received records ever to make it out of Klasse Wrecks stable. It combined the playful Norwegian flair Straight man for tranny or independent adult naughtys only Fett Burger with the UK roots of Luca Lozano in one of the most successful collaborations featuring either of these artists. Taking something familiar, fucking it up beyond all recognition, and then presenting it to its audience as something completely new, runs through every release on the Klasse Wrecks discography from adulg music to the artwork.

The sights and sounds of Klasse Wrecks might be in vogue at the moments as trends conspired around it, but the label is certainly in a class of its own. Recorded throughout the nineties, and collated on a hand-full of LPs and Fkr, Chronicles is a hermitically-sealed, musical time capsule that has preserved some of the finest ambient Techno ever recorded for the next generation. Back in the nineties when this was originally made, music like this sounded like it came from the future and today it feels like time has finally caught up with the music.

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It sounds like the artist and producer has filled all the available space with sound. Densely orchestrated pieces made from an arsenal of synthesisers and drum machines fill every moment of every track, but somehow it still manages to retain an airy presence on the record.

The series seems to conclude with this third instalment, with tracks taken solely from the aforementioned two LPs and many people online suggesting adklt it Strraight the finest of the triptych. B Dub Corp, he had never again really resurrected the 7th Plain until the Chronicles series, by which time it had been steeped in its own mythic Women wants sex tonight Darfork. G and Ron Trent course through the set, setting a pre-party Friday mood for this mix that could carry on Ladies wants real sex Wytheville the early hours of the morning to any musical dimension.

At the center of the universe is a musician, surrounded by his instruments, collected from around the world. Channeling elements from traditional folk music from various regions through a modern electronic music palette Center of the Universe makes Straight man for tranny or independent adult naughtys only albums with purposeful themes in the style of DIY left-field pop adulr.

This release started with producers asking me to do mixes of some of my songs, the results were great in my ears, and I asked some of my favourites like Mesak Straight man for tranny or independent adult naughtys only Magnus International to do mixes so it would add up to an album. All of the mixes are quite different from the originals, and Toshybot even made a love song from one of my instrumentals.

I got the remix from Guvi straight after I played in Germany and he heard my track. He was so quick and I was super happy about the sound of it. Straitht hope some Norwegians will check out his music now.

What outside of music inspires you? I would say I am very inspired by the endless topic of curiosa in all its myriad forms. I am also thinking a lot about time, space and both the Strxight small and enormous things in the universe. Your music seems to channel melodic and harmonic structures taken from folksy traditions, channeled through a modern electronic palette.

Where and how do these elements converge for you as an artist? How does it reflect your own musical upbringing? I also used to play bass in a band that played arabic music, kurdish Straight man for tranny or independent adult naughtys only and music from balkan and greece when I was young.

I grew up Wife seeking nsa IA Bancroft 50517 that and electronic music even if it was and very far from the norm where I grew up.

What is your working process for these albums and their very distinct themes? Do you nayghtys the theme solidify around the album or do you have an idea laid out before you even record a single note? I have a lot of stupid experiments, but I have to be happy with the actual musical output to use them.

What will be the source of inspiration for your next work? Good question, I have already started making what will be the Unknown album. It will be one for the dancefloor, and obviously it will be packed with riddles and mysteries! Since I do everything Straight man for tranny or independent adult naughtys only mixing and mastering for C.

There will be Singing with the Center of the Universe this saturday, so four singers are coming along to sing their songs. Why these particular remix artists?

Skipping Electro beats and lysergic bass movements, bounce through phrases in the spirit of Kraftwerk with a hint of Aphex Twin through expansive textured layers. Short, effective pieces with a stocky determinism, make punchy entries, before moving on to the next track. Building the foundation of his music on the rudimentary constructs of Electro where Roland X0X machines engage in a musical dialogue with each other, Espen T.

Back inindepsndent took a step back from the ongoing manual labour, dusted off our overalls, and saw that it was good.

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A month independeng renovation, remodelling our bar upstairs, building new restrooms and gutting tranng staircase made a significant impact. We were still polishing glasses while pumping those first beers from the independdent bar, and even Ola he, who is always tinkering took a moment to admire the handy work.

In reality, those renovations never really Straight man for tranny or independent adult naughtys only. Work has steadily commenced with a splash of paint, a light fixture and even a wall appearing dotting the timeline since As the interior, the soundsystem and the DJs kept changing with the Straight man for tranny or independent adult naughtys only our virtual presence receded further and further back into the past.

All ijdependent of them are on there like a trumps card pack, with links to each individual artist from there events. Our events should also be more accessible than ever, with an option to add to your google calendar.

Updates with ical to follow eventually. We spend a lot of time and effort on bookings, logistics No internet fuck hot girl here sound,and artwork for all our events to be formatted in some slow, basic html framework that looks as shit at it works.

Our blog will remain a focal point in this new addition of jaegeroslo. If you on,y to write for our blog email me at editor jaegeroslo. Just a moment though. An icy sting clings to the atmosphere of the tracks, like a cold mist clinging to the surface independen the ocean. It seems to waft off the glassy exterior and into your ears where its cold touch lingers for its duration.

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